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His mystical aura is usurped by a larger-than-life Jada Pinkett Smith, who slinks across the screen and deliberately swipes every scene as Rome, an uber-confident and confidence-boosting Savannah strip club owner who welcomes Mike back into her world of empowerment. And now that he has an Oscar on his shelf, McConaughey chose to hang up Dallas’ leather chaps and opt out of the fun. Soderbergh opted to stay in his self-imposed “retirement,” handing the directing duties over to longtime collaborator Gregory Jacobs (though Soderbergh did contribute to XXL as a cinematographer and editor, explaining why this follow-up has the same sweaty, late-night shimmer of the first film). Audiences came to the theater with crumpled up singles, but left Magic Mike with soggy tissues, emotionally buying in to the ongoing struggles of these three-dimensional dancers.Ī sequel was inevitable, and with it comes change. The original film cost roughly $7 million, but went on to gross a massive $167 million, fuelled by female curiosity, the magnetism of Tatum (and his co-stars), and legitimately positive word of mouth that proclaimed Soderbergh crafted a moving soap-opera in a seedy, sweat-soaked Tampa strip club – the unlikeliest of cinematic communities. Magic Mike XXL isn’t surprising anyone this time out. Magic Mike XXL pulls off a legitimate magic trick, recognizing the expectations of its suddenly sizable fanbase and somehow exceeding them.
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Along the way, Mike convinces them to ditch the routines that Dallas burned into their individual memories (“You are not a fireman, Richie”) and embrace new routines that come from the heart. Sensing that their stripper endeavors are drawing to a close, the guys agree to venture to South Carolina for one last blowout bash at an annual dancers’ convention. Dallas (Matthew McConaughey), the freewheeling choreographer and club owner, has jumped ship, leaving beautiful but dense dancers “Big Dick” Richie (Joe Manganiello), Tarzan, (Kevin Nash), Ken (Matt Bomer) and Tito (Adam Rodriguez) rudderless. Picking up shortly after Magic Mike concluded, the sequel finds Mike (Channing Tatum) struggling to get his carpentry business off the ground when a phone call summons him back to Florida’s Gulf Coast. Where Richard Donner’s Superman once inspired us to believe that a man can fly, Magic Mike XXL convinces us beyond a shadow of a doubt that a dancer can leave the stage behind and open an ice cream truck that has a DJ booth attached - entertaining the masses and satisfying their sweet tooth at the same time. As a result, Magic Mike is believable, embraceable, and worthy of celebration. But the camaraderie and mutual respect – the Zen-like “chi” that’s preached and practiced by the men of Mike - is as organic as unforced as Entourage was artificial. It’s 100% bro-powered, telling the low-stakes story of impossibly handsome dudes living their irregular lives, and inviting us along for the intimate ride.
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Magic Mike XXL often operates as the movie Entourage desperately wanted to be – or worse, actually thinks that it is.